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 Crafts Focus
This section is an opportunity to focus on what is happening in Church Crafts and who is doing it, with priority given to UK based craftspeople. This first section is about the abstract goldwork which has developed as a complementary to the icons at Sancti Angeli. If we look at the early basilicas of the Church we see a rich interchange between abstract panels and portrait iconography. As we progress in the twenty-first
century, such opportunities of artistic dialogue in liturgical and secular art are available to explore in
new and exciting ways. |
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| Goldwork
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 Our Lady of Lourdes: Wanstead
This challenging modern design goldwork of the Holy Trinity was commissioned by the Very Rev. Patrick Sammon for Our Lady of Lourdes Church at Wanstead, as part of
the re-ordering of the church. The building dates to the early part of the twentieth
century, with neo-gothic arches and some listed building artefacts. The priest was faced
with the task of developing it in the spirit of Vatican II for a London congregation. The
re-ordering was planned and executed by architects Richard Hurley & Associates.
The Blessed Sacrament was transferred to a new tabernacle (by David John,
Cheltenham) in the north aisle, and the gold Trinity, which srikes a balance between
modern and traditional interpretation, commissioned for the large blank wall behind it.
The work is three metres high on marine plywood and took several months to complete.
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The Trinity is in bas-relief gold work on a raised and engraved gesso ground, with
colour in egg tempera. The gold reflects the changing light and colour from the lancet
stained glass north windows during the day, making a living, changing surface. The
types of the three persons are based on the traditional icon of the Trinity (Hospitality of
Abraham), but also form a commentary on the eucharist as the centre of the new
creation. Starting from the top with the tracks of subatomic particles, it passes through
textures and colours drawn from photos of the earth from space, to microchip designs
on the ‘floor.’ A copy of the full text with a large scale image is available to Associates
as a .pdf on the members page. |
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Gold Wall: Blessed Sacrement Chapel, Edgeware.
This large church, dedicated to St. Antony of Padua,
is in Garrat Road, on the corner into Edgeware Road.
The Blessed Sacrament chapel is south facing. As you
can see from the small inset, the original chapel was
rather uninviting, despite the fact that a roster of
parishioners spend a long time there daily, praying in
front of the sacrament, which is exposed all day, after
morning Mass.
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The wood panels were a veneer similar to office furniture, which made it look like a nineteen-fifties office and the specially commissioned four carved
evangelist panels were lost in the poor woodwork. After discussion with the
parish priest, a textured gold wall was proposed. This was made of thin
plywood panels, made off the premises in sections and attached to the walls
with battens. The four evangelist panels were set into separate wood panels in a way similar to a Gospel book, flanking the reserved sacrament - this proclaims visually the Lord emerging from the Gospels. The gold shows us that this is the most precious thing in the whole world. The wall is real gold leaf - imitation
leaf quickly oxidises and grows dull. The softer raked gold of the oil gild on the wall contrasts with the shining burnished water gilding of the two ‘gospel panels,’embossed with a regular pattern ( a small cross).
The textured gold focuses the light from the side window in a rippling effect changing throughout the day and evening
and providing a restful but also interesting background for the parishioner taking his turn in praying in the chapel, and
turns the thoughts towards the ‘true light who enlightens every man coming into the world.’ Close ups and more
technical information are available as a .pdf on the members pages.
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Flame Of The Trinity: 'AWAKEN' Business Premises.
Although not a church commission this shows the growing
importance of interface between the religious and secular sphere, where a
visual image can bring the spiritual quest into situations of business and
commerce in which a traditional religious image would be out of place.
This commission was completed for the consulting room of one of the
Awaken business coaching and consultancy team. The consultant has
been in stress management for many years, working for a number of
corporate and individual clients. Her work has made her aware of how
many people in business have aspirations which are achievable, but
remain unfulfilled. ‘Awaken’ focusses on creating effective teams and
enabling individuals to fulfil professional and personal goals. | |
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Coming from a science and psychology background, Dr. Ann
Bowen-Jones was looking for an image which articulated the interface of
spiritual traditions and science. We found some large pieces of wood
from an ancient yew tree near her home, which had been cut down for
safety reasons, and carved the wood into three flame-like shapes on
which wood colourings suggest the different aspects of the Trinity.
Gold bas-relief medallions represent the six-winged seraphim before
the throne of God. Among them are coin like medallions with the
symbols for matter and anti-matter subatomic particles carved into them.
The whole represents the beginning of both the spiritual and material
universe. |
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